Monday, 19 March 2012

Anger, Tears and Headshots...

Sunday 12th saw my 3rd shoot in 3 days.  This one however was more of a personal nature than the 2 previous.  This one was to capture my head-shots for 'Spotlight' and present a range of emotions for my acting work.  My photographer of choice for this project was Paul Silver... A friend I have worked with numerous times and who knew I would not only feel completely comfortable baring my soul with but a photographer I knew who would also capture it at it's most beautiful. so first things first... Those damn head-shots!

I did a variation of 'hair up' and hair down shots in order to give myself a range of options when marketing myself.  The standard mean n moody expressionless shots were pretty quick to capture.  The subtle smile shots however proved a different matter entirely... With Paul eventually shooting me several times with his £4 Nerf gun! Y'know what... Worked a treat! LOL! :oD Below are some of the results.





Next up was the section I expected to be hardest... The grief shot! Not so... Seems I could detach and get into character quite quickly and Paul captured a series of shots that although painful to look at are stunning to behold for a true snapshot of human pain.  I am personally very proud of these and am pleased to say I switched back to normal instantly.





I say instantly... Though I went a little further than that. Pulling of a series of happy shots which were quite the contrast and following through to explore further emotions such as anger, curiosity, lust and determination amongst others.






Aside of being a thoroughly enjoyable shoot which is always the case when working with Paul it was also one of the most difficult and intense projects I have undertaken, given the drain on myself emotionally. I don't go easy when getting in character that's for sure.  But it is without question one of my most favourite collections of photo's I've ever produced, which not only tested me as a model but stretched me as an actor and left me with no doubt that there is far far more within me to explore.  I truly look forward to sharing my innermost self through both modelling and acting as I continue forward in my career.

Thank you again to the legend that is Paul Silver who I highly recommend you commission for work.  His results speak for themselves and always enable me to be captured at my best :)

Wednesday, 14 March 2012

If you go down to the woods today...

Saturday 10th March found me back in Winchester some 18 months after first visiting to shoot with the awesome Gary Holmes. First time round we got some beautiful images so I was very much looking forward to working with him again in his chosen woodland location as before. During the shoot I certainly had a few vivid moments of de-ja-vu it has to be said with flashbacks from this beautiful and fitting location! :)

We had a list of desired shots to work through and started with shooting stunning scenic underwear shots for the delightful Adam Davies of 'Dead Good Undies'. We worked our way through a few pieces of select underwear and captured a few beautiful shots to do the brands justice.




Next up I had a couple of ideas I wanted to explore... The first being 'Chameleon', where I was not to be the focus of the picture, but simply an element that was part of a beautifully captured scene.  My intention was to appear very secondary in the image... That I was there and my presence important but simply because I complemented the landscpe and not to dominate it.  I feel we captured some fantastic results.



Secondly... 'Action', Instead of just posing I wanted to capture movement... Something natural and beautiful again set against the intensity of this magical location. This I feel was the most difficult of the three to perfect but I think we got some interesting results that have certainly set me thinking for a future shoot.



As ever Gary was wonderful and pleasant to work with and though 18 months had passed it felt like we'd shot together just the day previous.  Always a good sign of a natural and strong working relationship.  I'm looking forward to shooting with Gary again in May with new locations and ideas to indulge...

Friday, 9 March 2012

And now for something completely different...

Friday 9th March... The highly prominent day in my calendar this year! The day I had put lots of planning and forethought into! The day I got to work with a photographer who's work I've admired since first starting out in the industry. The day I found myself in a photography studio in Brighton! YES... This was the day I finally got to work with the legendary John Farrar and I was excited at the prospect! :oD Added to that and the fact John only really shoots female models, I was also highly privileged to be working with him on this project - Thank you John :)


The shoot came about when I approached him in January about a potential shoot... I was delighted when John said though he didn't really shoot males he would be happy to if we came up with some worthwhile ideas. So we set about throwing a few concepts together and finding a make-up artist/body-painter to collaborate with on the project. After much jiggery-a-do and a long story short... Enter the talented and inspirational Adam- Thomas Bane.

I threw some concepts and themes at Adam and we decided on one that was pretty conclusive, would do the project justice on the day and lent itself to a variety of interpretations after Adam had thrown his own unique input and ideas to mix. With a shopping list that consisted of a suit, ties, paint, clockwork cogs and drawing pins... This was not to be your average shoot! - Though one I finally managed to keep my clothes on for may I note! LOL Added to that... Much banter, dry humour and laughs between the 3 of us made an 11hr day with 3 concepts shot actually end far too quickly and leave us with many more ideas to explore next time.

So please enjoy and digest the fruits of our labour so far.... (More tasty photo's will be added as processed)



Thank you to both John and Adam for their time and talents on a project that stands firm in the memory. I look forward to working with you both again very soon... It was a complete pleasure and enjoyable experience with lots of fun and final images I know we will all treasure for years to come :)

Friday, 2 March 2012

A shave and nod to a bygone era...

Sunday 26th February saw the arrival of a shoot I had been looking forward to since it's bizarre conception one night in January. Oddly on reflection.... I was clean shaving my beard one night and did what I'm sure many of us have at one point in our life.  Shaved a moustache to see how it looked and have a bit of a laugh at myself. Surprisingly it didn't look too bad but did change my look completely and I thought... It would be well cool to do a shoot that made me look so different to normal. It then came to me... I'd always wanted to do Film Noir type images and that look would suit it perfectly. Having been fortunate to work with many photographers during my career I immediately called Paul Silver as I knew his style would suit  my concept and vision perfectly. He immediately said YES he'd love to do it and a date was set. Then I called Hair and Make-up extraordinaire Jean Rhema who with over 40 years in the industry I knew would be the only person up to this task of creating exquisite hairstyles and period make-up. Next I confirmed a female model whom I thought would fit the role perfectly and then set about to find suitable costumes and... Errr... Location ;) - LOL! - Thanks Paul you certainly delivered on the location! Kudos!


The initial inspiration! LOL

The venue confirmed was the wonderful 'Big Strawberry' veggie cafe in Hanley who taking gestures to a whole other level, opened especially for us and even provided catering! -  BIG THANKS to the wonderful Charli for her kindness and hospitality. Then 2 days prior to the shoot, disaster hit... The female model had to withdraw from the project due to personal circumstances and I found myself without a leading lady! DISASTER! 2 days out, everything in place after weeks of planning and suddenly it looked like the project was going to fall apart as quickly as it was conceived. After a momentary pause in time whilst the news digested I remained calm and racked my brains. I needed a model... But not just any model. I know many fabulous models but not with the particular look I was after for this.... Especially one who might not only be available at such short notice but would also  be able to find a suitable wardrobe and accessories too. I went through my phone and saw a name that made me stop and think... I just wonder.  So I contacted her and she was interested... BUT was not free that day, which I'd had to expect.  But Wait... There's more... She said I may be in luck and indeed I was! The charismatic, beautiful and perfect girl for this shoot 'Victoria Roelake', casually said... It's ok I can change my plans and have lots of suitable attire for it... Are there any accessories you'd like me to bring too? I was stunned and blown away by her attitude, commitment and compassion to this project so late in the day. WOW! Now that is what you call a friend! Suddenly it was all back on and I couldn't be more excited again.


The 26th came and myself, Victoria and Jean met at Paul's house where we had drinks, I shaved, we packed equipment and headed off to out chosen location.  It was perfect... Very retro with lots of interesting elements both inside and out for us to indulge. Not to mention the highlight of the day... A recently vacated room that had a New York Skyline. OMG... How perfect! You know when some things just feel meant... This shoot was feeling just that.  Against all odds everything was suddenly perfect! The venue... The Team... The costumes... The Female Lead and the host! We set about getting ready with hair make-up and costumes whilst Paul set up equipment. Then suddenly we realised something was missing... A soundtrack! Something to swing the shoot along in the right manner and get us all going. Then again as if fate would have it... I remembered a CD I'd bought on a whim just a week previous that I'd not even listened to... Hugh Laurie's 'Let Them Talk'. It was perfect! - And highly recommend too! LOL


My vision for this shoot was to not imitate the era but pay homage to it, a nod to it if you will.  I certainly didn't want a bunch of stock type looking images either that were clearly contemporary.  I wanted something believable... As though the shots had been lifted from a film of it's time or it's promo.  Not obviously posed... Just candid with a natural charm and integrity. It was also important to me that each photo said something different... Set a different mood... A different tone... A different look... Even a different genre. I wanted a mixture of styles and tones from that period... Romantic, gangster, comedy, tender, sensual, the list goes on. Thank you to the efforts of all involved and particularly the amazing Paul Silver, we got them and MORE! MUCH MORE!  We shot for 2 hours and got a wealth of beautiful imagery that I am personally very proud of and am delighted to share with you.  Please take a look at the selected images below and be sure to click the link and visit the gallery of this shoot which is being continually updated as fast as poor Paul can process them.














Thank you again to everyone who made this day such a success and a very fond memory, in particular Victoria Roelake without whom it would not of happened at all... You are a natural star and true friend. Thank you x

Tuesday, 7 February 2012

Eight Days a Week...

When I decided to start writing a regular blog it was my intention to update it every week or after every completed project I wanted to share with you all. This last week quickly presented a dilemma as I have worked on something different and exciting each day that has passed with just 1 day's break in between to catch my breath and prep for the second half of travelling and modelling that was still to follow. After the 1st day's project was complete I concluded that although a couple of broken hours at the tail end of the day may have allowed me to put fingers to keyboard and churn something out, mental and physical energy certainly wasn't going to and that time was certainly better utilised sleeping ready for the next day that was to follow. Also, the chances of me maintaining that continuity every day that followed as I got more exhausted and had to travel further and further for the next project it was apparent I would have to be writing it in my dreams. So I decided that much like the week itself would be, an appropriate mammoth like blog to record this series of events come the end of it would be far wiser. A week soooo long and full of soooo much tasty goodness it actually needed an extra day to squeeze it all in! So here it is... Many miles, shoots, locations, experiences and 8 days later, here is my week in full! Enjoy...

Monday 30th January (Head-casting for IMATS)


After what was my birthday weekend and incidentally also the weekend I packed up the rest of my house for my upcoming London move, first thing Monday morning I found myself at Bromsgrove NEW College, waiting to be head-cast for the upcoming IMATS exhibition and Iain Burton-Legge's Training School. A new experience for me that I was very much looking fwd to, though a little apprehensive about what I was to undergo LOL. First of all I was told to remove my top, was taped into bin liners and then told to sit in the chair on the large plastic sheeting, surrounded by several unknown faces eagerly looking on to see what was going to happen! :o - Hey! What is this?! I've seen things like this in movies and I know that guy didn't end up walking outta there! Haha... Talk about adding suspense to an already unnerving situation! My head was then cling-filmed over - My scenario still isn't looking any better at this point - leaving my nose free to breathe (phew!) before the application of bandages with a silicon mix formed the basis of the cast.

You'll have to forgive my vagueness regarding the whole process stage cos at this point as I'm sure you've already gathered I was unable to actually see anything so can only really comment on how I was feeling inside of it. Surprisingly it was actually very peaceful and comforting in there... To the point I think I actually started to fall asleep. I can only hope the layers being applied drowned out my sorry snoring and saved everyone else's ears. The time very quickly passed with what felt like a pleasant though interrupted nap. I believe the total duration was only actually about 30 minutes until the exterior had set. At this point the the piece was carefully removed in 2 sections. This is where it was a little painful as the odd strands of my wandering long hair had got caught up in the Silicon and made the baby hairs pull and smart a bit as it was peeled away. All in all though a straight forward and effective process with no real complaints. I remember on being uncased the light was almost surreal to see again along with several recognised faces still peering intently on at me.



Once the Silicon head cast was removed... It was then joined together with the same process to form a solid hollow case in-which the mould could be filled with plaster to form the solid piece from which further copies can be created. Every little pin hole of the cast had to be sealed in order to stop the plaster from running out of the mould. This proved to be a difficult task as even after the most thorough of prep the slightest hole had managed to escape and extracted liquid from it. Fortunately it was easy to treat quickly and the end result unaffected. The Plaster set very quickly and then it was time to remove silicon pieces that had been joined... Again in 2 parts. When the plaster head was exposed and sat there for the first time I found it very freaky to look at... I didn't recognise myself without hair and all my features so intensely captured for all to see. I had also clearly fell asleep during the process and as a result had an ever so slightly odd look left on my face! :oD







This piece will then be polished up so that it is smooth and less crude looking to be put on display at IMATS of the upcoming weekend which I was also modelling at.  On from that several Silicon copies will be produced for use within the Training School and one which I shall be able to take home and put in proud place to scare my guests away! Haha... So all in all a valuable and enjoyable experience as both a model and a creative, learning about another process that is widely used in this industry for many films and programmes.  With thanks to Iain Burton-Legge as always, I now look forward to seeing the final end result and am thrilled to of been a part of such a special day that I will fondly remember. Plus... Unlike any film I've seen involving pastic sheeting, bin bags and cling film, I did indeed get to walk out alive!


Tuesday 31st January ('Hobgoblin' Beer shoot)


Next up was a shoot I had been very much looking forward to for 'Hobgoblin' beer!  I arrived Tuesday morning at a recording studio in Birmingham and was greeted by photographer Simon Winnall.  My brief for the day was that of being a 'drummer'.  The promotion for the brand I'm told was based around musician type people just doing there thing.  A very 'real' approach to the world of musicians and something drinkers of the product were symboloised by and could relate to.  My clothes were accordingly chosen and my hair messed up to fulfill the look of someone raw and passionate and I was set up with drums to capture the required shots.  We did all manner of expressions and striking of the kit to fully exhaust the possibilities on offer and attain the desired result.  


On viewing of the photo's there were certainly a handful of strong images I personally loved and the client also seemed very happy with.  Simon had a vision of a very amateur type finish (Though certainly no reflection of his expert photogrpahy) to represent the look and feel the brief had in mind.  I'm told the final adverts will be appearring in pubs, bars and online througout the festival season, which I look forward to seeing. As I currently have no images or final pieces to share with you from this shoot as yet I shall update this blog with shots and links as and when I recieve and can publish them, so please do check back to view them.



Thursday 2nd February ('Dead Good Undies' Shoot)

After a welcome and much needed day's break I next found myself off to Shropshire, Wales to shoot for Dead Good Undies.  I was met by founder and photographer Adam Davies whereby we discovered a shared passion for Hyundai Coupe's and a friend in common... Never ceases to amaze me just how small a world it can be at times.  The shoot lasted around 3 hours during which time I worked my way through a rail pof underwear and modelled some 60 odd pairs of undies for their online site and catalogues.  A few are pictured below and more canl be found on their site as they are uploaded over the coming weeks.  Needless to say, modelling them was more exhausting than writing this short summary of the day. I personally had a great shoot, found Adam fun and very easy to work with and am looking forward to modeling for him again in the future. Thanx Adam :)







Friday 3rd February (Underwear Shoot)

Today I found myself in North London for another underwear shoot with photographer Matias Galan and a stones throw away from Alexandra Palace where I would be modelling at IMATS the next 2 days. I find this happens to me a lot with regards to shoots and loactions that happen to come about at the same times. I'd like to say it was planned... It wasn't. Just blind luck yet again! We set about creating some beautiful images in a series of different underwear with some beautiful lighting and shadows. There were a few images I immediately fell in love with and cannot wait to share with you.





Saturday 4th February (IMATS Day 1)

IMATS... IMATS, IMATS, IMATS!  YES... I was excited to be part of this awesome event! Not least because I was to spend 2 days being body-painted by the wonderful Sarah Atwell into 2 wonderful creations! Upon arriving I was again greeted by the great Iain Burton-Legge and taken to the 'Circle Creatif' / 'Treasure House of Make-Up' stand where we would be pitched for the weekend.  There I was greeted again by the ever wonderful Ian Massa-Harris who I hadn't seen since wig party last October! I knew it was gonna be the first of great 2 days! The team continued to arrive quickly over the next half an hour and I also got to meet some new faces whom it was clear I would quickly come to miss by the end of the event. Added to that, on the stand opposite was the MUA and Hair Stylist who had made me over every morning on 'Snow White' from October to December last year, whom it was also a pleasant surprise to see again. What was I saying about coincidence and it being such a small world!

Before any body art started though I made it my first priority to see the newly polished head casting from the Monday previous, which was now sitting in proud place on the stand in front of my Hades banner from Wig Party! I much prefered the polished finish of my head as it had removed a lot of unsightly flaws I could see in myself LOL... But still found myself looking very odd! Mainly I think because I had no hair or beard which changes my look completely and leaves me looking very baby faced. If you ever want a true reality check of how you actually look I suggest you get your head cast... It's certainly a wake up call that those who love us indeed accept us warts n all! LOL



So next it was onto the body paint! Yay! Which happened to be on the coldest day I can remember in a long while not that I was complaining. Stripped down to white boxer briefs I blocked out the reality of the temperature and focussed on the project at hand. The paint was applied stage by stage throughout the course of the day so that customers could witness the transformation in all it's glory. Sarah started off by painting a lions head onto my torso an abdomen with the hair of it's mane covering the rest to my arms and canvas available.



Grrrrrrrr...!

Once this was done Ian Massa-Harris decided to pay my head some attention and turn me into an 'Apocalypto' type character from the Mel Gibson film whilst Sarah worked on my back creating a map of Africa that incorporated the 'Circle Creatif' logo.



After several hours and some finishing touches of Gold and a fur skirt being applied, I was free to roam the exhibition in all my animal glory to pose for photos and promote the company with body artist Sarah where we caused quite a reaction and received some very flattering feedback. A great pay off to a days hard work and the unique talents of all involved.




Next it was time to finally shower and get all the paint off... There's always a downside to these things!


Sunday 5th February (IMATS Day 2)

IMATS Day 2! This is the one I'd been waiting for... After the success that was the Lion the day previous, This was the day I was to become an Alien! Mark Alien to be exact! - I thought I'd be the first to get that association out the way before anyone else does! LOL :oD Sunday was somewhat warmer than the Saturday bizarrely despite the torrent of snow that had graced the streets overnight and made travelling and parking there a near impossibility.

Freshly showered and free of Lion Paint I was again stripped and set to work on by the lovely Sarah... Her design was to have slashes of my skin removed with Alien skin showing through from underneath. A concept I loved and which I found truly reminiscent of my 80's childhood courtesy of the lizardesque show 'V' where they lived among the human race and ate rats. True nostalgia right there! Though we weren't going for a direct copy of this, the nod was certainly there in my mind. The most difficult part of this day for me was the contact lenses. Having only actually worn them once before at a previous shoot last year and remembering ther trouble I'd had then I was not much looking forward to the antics to follow but was determined to overcome this obstacle none the less. On and off for about 40 minutes, myself, Sarah and Ian all tried to get them in to no avail.

Finally though my eyes seemed to calm down and then we finally managed to get them in! Yay! They always feel a little odd at first and this time was certainly no different... Though this time they did not seem to want to sit correctly. The designs on the eyes revolving as they saw fit and making me look very odd indeed. After attempting to correct this several times I ultimately admitted defeat and let them sit as they pleased, on reflection actually adding to the freakiness of the end result I feel.




Sarah started by painting gashes onto my Torso, followed by my face... This seemed a quicker session than the day before though there was a great deal of detail being added. This was defianetly the look I enjoyed more... I loved how sinister it felt and the disgusted but admiring reactions we recieved. Whilst Sarah was completing my front, Ian again set to work on me... This time on my back, creating a worm like creature that was crawling out of me using silicon, which he touchingly named 'Simon' (?! LOL). Once this was done gashes were added to my back by Sarah and the final touches of blood put in place. Then again it was time to go a wandering... For more photo's and promotion of our stand. We received even more attention this time around despite the diminishing numbers due to the snow that had hit and the praise drew interest in the Training School courses that were on offer by Circle Creatif for that weekend only.






Posing with the lovely Lee Diddi


Strangling the lovely and talented Sarah Attwell


Again the time came to shower and say goodbye to all my friends and colleagues new and old that I will sorely miss and secure yet another memory to bank before the drive back to Birmingham for my next and last days work of a very long week!


Monday 6th February - Morning (TV Commercial)

After a late night back and what seemed like the shortest sleep ever. I next found myself at the NEC for the DIY Trade Show to film an advert for CEL UK to be shown on ITV and SKY channels. I was met by the lovely Hannah Parker and there to help promote a new product called the 'Power 8', which in short is a multifunctional tool box of devices. First of all we were shown (by the designer and developer) the product in action and then asked to use it ourselves before being asked questions on camera of our thoughts on it. Straight forward really.



As someone who is somewhat of a stranger to DIY for reasons known only too well by those close to me personally, even I was very impressed by this product. I actually think my detachment from DIY was in fact a benefit as I was able to appreciate the product on a first time buyers level and found it actually caught my interest naturally through its Unique Selling Points. In short it was a mobile and versatile carry case that comprised of circle saw, drill, batteries and light that could be used in any environment (with or without mains supply) as either a fixed unit or hands free. The thing I found most surprising about it was how lightweight yet sturdy it was. I was genuinely impressed and am glad I can also actually recommend it on its own valued merits.


I don't have any shots from the shoot to share with you sadly but shall add a link to the final advert as and when it is uploaded so you can see the fruits of my labour for yourself. I would like to say a big thank you to Hannah Parker for both the opportunity and her lovely feedback on my work

Very professional and confident on camera. Thanks Mark
- Hannah Parker


Monday 6th February - Evening (Media Event)

My day and week came to a fitting close as I attended Vaughan Bailey's VIP Media event in Birmingham, which saw a host of guests from the Industry meeting up to network and meet like-minded individuals. I would like to thank Vaughan for the invite as I met some great people and got to catch up with some valued friends, which served as the perfect end to my perfect 8 day week!